The composer whose music the whole world fell in love with hearing it on The Fabulous Destiny of Amélie Poulain, doesn’t like this film. He explains his multi instrumentalism with the pursuit not of virtuosity on many different instruments but of making new sounds and of enjoying the genuineness when approaching a new instrument. What remains unsaid in his music, why is vocal presence such an integral part of his latest album Dust Lane, who is Yann Tiersenn on the basis of his favourite things?
You will find out from this interview by Jazz FM’s Svetoslav Nikolov.
